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Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Matt Donato. Movie Reviews TV Season Reviews Prev Next Rating Title | Year Author Quote 2.5/5 Avatar: Fire and Ash (2025) Matt Donato It's not that performers cannot convey emotions through motion-capture techniques, but rather that the stories around them do not enable grand moments of resilience or tragedy. Posted Dec 16, 2025 Edit critic review 2.5/5 The Running Man (2025) Matt Donato It's a jumble of well-intentioned rebellion and confused execution, albeit with a splash of explosive excitement to keep us distracted ... without Wright's name in the credits, I'd never believe this was an Edgar Wright flick. Posted Nov 13, 2025 Edit critic review 3/5 Roofman (2025) Matt Donato Roofman is … fine. But given the laurels of all involved, that's a disappointment. Posted Oct 11, 2025 Edit critic review 1.5/5 Love Hurts (2025) Matt Donato I would do anything for love but watch Love Hurts again. Posted Feb 06, 2025 Edit critic review 3/5 Red Rooms (2023) Matt Donato Gariépy and Babin ensure their performances keep butts in seats, but filmmaker Pascal Plante isn’t reinventing an internet-horror wheel that’s been spinning since movies like The Den. Posted Dec 24, 2024 Edit critic review 2.5/5 Babygirl (2024) Matt Donato Performances draw us in, but a surface-safe interpretation of what could be perceived as predatory behaviors (on either side) never feels appropriately dangerous. Posted Dec 24, 2024 Edit critic review 4/5 The Wild Robot (2024) Matt Donato Emotions run high no matter your age, as Sanders rescues our hearts from feelings of coldness and isolation Posted Dec 24, 2024 Edit critic review 2.5/5 Hard Truths (2024) Matt Donato Marianne Jean-Baptiste is deservingly getting awards season hype, but the hardest truth here is how repetitive Leigh’s film becomes. Posted Dec 24, 2024 Edit critic review 3/5 A Real Pain (2024) Matt Donato A Real Pain lets its characters be vulnerable, uninhibited, and messy in ways that feel anti-Hollywood. Posted Dec 24, 2024 Edit critic review 3/5 Wallace & Gromit: Vengeance Most Fowl (2024) Matt Donato Aardman’s latest stop-motion comedy is a comfortable representation of the studio’s delightful trademarks, if nothing more. Posted Dec 24, 2024 Edit critic review 4.5/5 Sing Sing (2023) Matt Donato It’s a moving triumph ... pardon the phrasing, but Sing Sing absolutely sings Posted Dec 24, 2024 Edit critic review 2.5/5 Nightbitch (2024) Matt Donato Marielle Heller's balancing of humorous animality and the film's furious reclamation of motherhood feels like two clashing movies (derogatory). Posted Dec 03, 2024 Edit critic review 3.5/5 Saturday Night (2024) Matt Donato Jason Reitman's fictional(ish) recounting of the 90 minutes leading into Saturday Night Live's first game-changing episode is an odd yet addictive experience. Posted Dec 03, 2024 Edit critic review 4.5/5 Dìdi (2024) Matt Donato Sean Wang's painstaking recreation of the 2000s teenage experience is picture-perfect. Posted Dec 03, 2024 Edit critic review 3.5/5 A Different Man (2024) Matt Donato Aaron Schimberg's one-of-a-kind character study lingers in the right way. Posted Dec 03, 2024 Edit critic review 4/5 Wicked (2024) Matt Donato I couldn't help getting swept up in Wicked's big-time whimsy and musicality or wiping away tears during "Defying Gravity." Posted Dec 03, 2024 Edit critic review 2/5 Emilia Pérez (2024) Matt Donato I fell off in Bangkok and never got back on. Posted Dec 03, 2024 Edit critic review 3.5/5 Deadpool & Wolverine (2024) Matt Donato As I reckon with my warring feelings over Deadpool & Wolverine, I'm still pleased by the film's existence, even if it doesn't answer all of the MCU's prayers. Posted Jul 25, 2024 Edit critic review 3.5/5 Furiosa: A Mad Max Saga (2024) Matt Donato Furiosa: A Mad Max Saga is above average but not an immortal icon. Posted May 17, 2024 Edit critic review 4/5 The Last Stop in Yuma County (2023) Matt Donato Galluppi sustains the film's tension through methodical patience, stretching conversational standoffs until their breaking point. Posted May 12, 2024 Edit critic review 3.5/5 Abigail (2024) Matt Donato It’s stupendously gory, devilishly funny, and boasts all the trademarks of an excellent popcorn movie. Posted Apr 18, 2024 Edit critic review 1.5/5 Madame Web (2024) Matt Donato Madame Web feels like a Frankenstein made of spare Spider-Parts dissected and rebuilt by the studio machine. Posted Apr 08, 2024 Edit critic review Prev Next beta